Needles & Pens presents,
Open Reception: Saturday July 9, 2016 from 6:00-9:30 p.m.
(runs through 8/2/16)
Both Bonifacio and Sieben live and work in Austin, TX, creating murals, illustrations, paintings, skateboard graphics, and sculptures. Briar’s drawing style is reminiscent of 1950’s American advertising with household items, animals and food all coming to life: wasabi characters, sushi-roll men, bluebirds, Buddhist bandit cats, Egyptian ladybugs and Gaudí-like birdhouses all have a story to tell you in his paintings. Bonifacio has been painting murals for the past 23 years and has exhibited from Hong Kong to New York. He has worked with Deitch Projects, bringing his characters to life for art parades and has also created a forest of smiling trees with Pope Park in Hartford, CT.
Michael Sieben is best known for his cast of invented characters, whose portraits mirror our own trials and tribulations of modern-day existence, their weariness and wounds worn proudly as opposed to being hidden. Sieben is currently the managing editor of Thrasher magazine and has a monthly column in Juxtapoz magazine. In addition, he co-owns a small skateboard brand called The Program and is an active member of the Okay Mountain art collective, founded in Austin, TX, in 2006.
Opening Saturday May 7, 2016 from 6-9pm
a solo show by
Fridge! A strange new installation by Dave King, designer of the Crass Symbol. Carrying a packed lunch and a flask of tea, Dave King wanders off into the bushes in search of an un-marked path. Through dense undergrowth seeded with shards of rusty metal, along canals and past World War Two bunkers, the road spirals towards the infinite. A few inexplicable signposts are visible in the show, photographic ghosts, consumer durables, a smiling Crass symbol and radiant aliens. Out of the fridge and into the trees. No Way. Way!
On display through May 30th
Needles & Pens presents,
a solo exhibition by
Damien Hoar de Galvan
November 6, 2015 through December 31, 2015
For the last 5 or so years the work I have been making has been smallish wooden sculptures. The wood I use is almost always found or reused/recycled or whatever term is most en vogue to describe art material not bought for that purpose. There is a practicality to working like this but it is also often an aesthetic choice as well, wood or other material that is old or used is generally more visually appealing to me and often gives me a starting point to begin a new work. The act of making something is the way I have found to be the most useful and satisfied to myself at the end of the day. It is probably as simple as that, a way to keep myself busy and feel like I’m being productive in some way. I begin with small bits of wood, painted or not. Then it is a matter of playing with them until I can see some way they will start to fit together. It’s sort of like a puzzle with no picture to use as a reference. Visual and structural problems often quickly arise and it is then that a piece will begin to develop. I suppose I almost seek out the problems in order to continue making them, it all becomes a way to stay interested and motivated to work. I describe the process of making here in this statement because that is much of what the work is about. It is process based work and it took me a long time to come to terms with that (I’m probably still coming to terms). It is the act of making that satisfies and frustrates me. It is dealing with my own personal emotions and feelings while making that I suppose the work is about. Maybe this is why I titled the show “ok”, because ok for me describes a strange ambivalent satisfaction. The way life is, up and down but hopefully (for me) ok. If I can work the way I want to and feel good about myself at the end of the day then I think that is probably a worthwhile endeavor.
– Damien Hoar de Galvan
Joe Roberts has worked as an artist in San Francisco for the last decade. His mixed media work has been released in various formats over the years and shown nationwide to great acclaim. Joe creates artwork which represents a variety of mixed media formats and is reminiscent of work from Jean-Michel Basquiat and Joseph Cornell. Collage, paintings, diorama and figurines all play a role in the world he has created and is constantly reinterpreting. This book represents a year-long curated survey of his career thus far in the form of 142 full color reproductions of his work. – Unpiano Books
“Joe Roberts’ journey to the unknown is dotted with the protective guardians of childhood nostalgia. These come in the flavors of films, comics, candies, logos, and branding of the 80s and early 90s, not to mention latent countercultural references from 60-70s. This is the bulk of the content in his works and it is these references that place him in his time period and in a group of people bent on breaking through the illusions and finding themselves.” – Matthew Ronay, 2014
Dave King‘s Odd Alcove
A Solo Show and book release for
The Secret Origins of the Crass Symbol
Featuring: photographs, graphics (including the CRASS symbol), photo-objects, stencil pieces and wood constructions – hi-art, lo-art and more.
Opening Reception 7:00-9:30 – Friday July 12, 2013
“Dave King was born in London not long after the Second World War, when there was still food and clothing rationing and children played in mysterious and hazardous bomb sites, between rows of bland and un- damaged terraced or semi-detached houses. It was a grey world which didn’t see much colour until the economy finally improved in the Sixties, which were nothing if not colourful. To avoid a job as a bank clerk, King went to Art School (where he met Penny Rimbaud and Gee Vaucher, later of Crass.) For the next ten years he worked as a graphic designer and art director before “retiring” to the communal house that eventually became home to the band. He then moved to New York and fell happily into the Downtown music scene of the late Seventies, joining the band Arsenal. He did illustrations for the Museum of Modern Art and the logo for downtown club Danceteria as well as graphics for many bands. His band then moved to San Francisco in the early Eighties (a very interesting time in the California punk scene), becoming Sleeping Dogs, which appeared (as did Arsenal) on Crass Records. Today Dave King still lives in San Francisco, still designs logos and works on his own graphic, photographic and film projects.” – Boing Boing
Needles & Pens 10 Year Anniversary Show
Featuring works by:
Amy Browne, Andrew McKinley, Andrew Schoultz, Austin McManus, Bill Daniel, Brigid Dawson, Chris Duncan, Chris Johanson, Chrissy Piper, Daniel Higgs/Kyle Ranson, David Benzler, Deuce 7, Edie Fake, Griffin McPartland, Hamburger Eyes, Hilary Pecis, Jason Jägel, Jay Howell, Jay Nelson, Jeff Canham, Jeremy Fish, Joey Alone, John Dwyer, Jovi Schnell, Julianna Bright, Kevin Earl Taylor, Know Hope, Kyle Field, Kyle Ranson, Lena Wolff, Maria Forde, Mary Joy Scott, Mat Obrien, Matt Furie, Maya Hayuk, Mike Brodie, Miriam Stahl, Monica Canilao, Nathaniel Russell, Nick Mann, Nigel Peake, Nikki McClure, Oliver Halsman Rosenberg, Orfn, Orion Shepherd, Other, Pacolli, Paul Schiek, Paul Urich, Paul Wackers, Pez, Ray Potes, Richard Coleman, Rich Jacobs, Russ Pope, Sam McPheeters, Serena Mitnik Miller, Stefan Simikich, Tauba Auerbach, Ted Pushinski, Thomas Campbell, Tim Kerr, Xara Thustra
And Music by:
Tara Jane Oneil, Strawberry Smog, and WR/DS
On Display May 10, through June 8, 2013
@ The Luggage Store Gallery
1007 Market Street
San Francisco, CA 94103
On display – April 13, 2013 through June 2, 2013
Tahiti Pehrson creates large-scale, meticulously hand cut, three-dimensional paper sculptures. His intricate x-acto knife carvings explore the fragility and connectedness of the world. The detailed installations offer viewers a glimpse at how microscopic life might appear on a giant scale. Much like a magnified snowflake, Pehrson’s works reveal the magnificently beautiful patterns not always obvious to the naked eye, but quite inherent within nature.
Escaping the monotony, greed and meaningless vanity of city life for something which is tangible and raw and fills the void, Joey Alone and Deuce 7 have put ink to paper and attempted to share with the world what they both have actively chosen to seek out over the past two years – abandoned railroad infratsructure, beaten wood shacks, chaparral cliffs and the emptiness and desolation of the California Deserts. With a focus both on the non-human Natural World, as well the abandoned and forgotten aspects of the Human World, their work is born out of a world focused on both the granite rock and rusted iron of the American West. Joey Alone is a brakeman with the Railroad, Deuce 7 is a railroad enthusiast and vagabond.
Opens Friday March 8, 2013 – 7:00-9:30 pm
*On display 3/8/13 – 4/7/13
The Golden Source Power Three, collaborative Works by Jesse Balmer, Niv Bavarsky,& Michael Olivo.
Golden Source Power Three
Collaborative Works by
Jesse Balmer, Niv Bavarsky,
& Michael Olivo
Jesse Balmer, Niv Bavarsky and Michael Olivo started drawing together early in 2012. The drawing sessions, which were initially for amusement, became herapeutic and mind expanding for all three artists. Each learning their distinct roles in two or three way collaborations helped solidify each artist’s personal voice in a way unique to the collaborative process. Many drawings were completed, and surprisingly, few ended as failures. This show is an opportunity to see very nearly all the drawings, in a variety of mediums, that the three completed together after a year of collaboration.
Golden Source Power Three will be on display February 8 through March 3, 2013
More photos of Golden Source Power Three at SF Art Enthusiast
XARA THUSTRA Book Release and Art Show – Friendship Between Artists is an Equation of Love and Survival
December 6, 2012-February 3, 2013,
The story of the “Mission School” is not complete without XARA THUSTRA. Both an activist and artist, Thustra has been pushing the envelope socially and artistically for 15 plus years in San Francisco. Xara’s ever evolving creative medium has been graffiti, screen printed posters. calendars, murals, paintings, video, music, performance and protest. Socially, Xara has been responsible for anti-war actions, gay activism, feeding the hungry, anti-capitalist actions, squats like 949 Market, and so much more…
This beautiful 500 page book captures 15 plus years of Thustra’s work in one package through photos and imagery. Not to mention, there are also cameos contained within from Xylor Jane, Chris Johanson, Barry McGee, Emory Douglas, Erick Lyle, Kyle Ranson, Ivy Jean, Sy Loady, and a cast of other SF punks, artists, queers, and activists. Such fantastic stuff. Don’t miss this.
“Feed the people! SF STOPS WARS. STOP MEN. Hard-working, self-schooled, tireless artist/activist Xara Thustra [rules] 2-D, performance, drums, video. Manhaters, Love Warz AND the annual Calendar. HEART 101. All for FREE! Unbelievable.” – Xylor Jane
“Thustra’s art fills me with a crazy unhinged joy. It makes you want to do something joyful and spectacular and very illegal. I would like to think that my heart looks something like this, and yours too.” – Michelle Tea
“I have always been inspired by the creativity of Xara. It is always 100 percent care. One of my favorite artists that I met in SF. Making things to make people think and with so much concern. This book about creative ritual and meditation toward making things better is a good gesture in the Left direction. A non text book, but in the school of life.” – Chris Johanson
“Like an invisible giant, silently stalking our city, converting it’s ever-more-boring facade into an impassioned, beautiful call to arms, revolution, and to love. Xara has created an incredible genre and gender busting body of work. This is the freak flag flying high.” – Bill Daniel
Loud Nights at Home Everything Ever and Nothing Never We are working on getting this all nice and pretty looking. In the mean time CLICK HERE to view the old GALLERY page that lists the last 9 or so years of art shows at N&P. Check back soon for this puppy to be all spiffy looking.
a four person art exhibition featuring the works of:
Mike Taylor, Arwen Curry, Colin Lapuyade, and Sara Sandberg
with music by: Nasty Xmas and Pins of Light June 1, 2012 – July 31, 2012
A group show curated by Austin McManus, featuring the works of:
Jai Tanju, Tahiti Pehrson, Deuce 7, Aminah Slor, Read More Books, Kevin Bouton-Scott, Grady Gordon, Michael Alvarez, David Jien, Jeff Canham, Bill Daniel, Joey Alone, Derek Albeck, Ross Farrar, Ken Davis, Ian Norstad, Nicolas Torres, and Austin McManus.
April 7, 2012 – May 27, 2012
Everything Ever and Nothing Never
We are working on getting this all nice and pretty looking. In the mean time CLICK HERE to view the old GALLERY page that lists the last 9 or so years of art shows at N&P. Check back soon for this puppy to be all spiffy looking.